Saturday, 28 February 2015

Live Music Review: Royal Blood at Plymouth Pavilions

For Those About to Rock


As a man who admits freely to being born in the wrong century when it comes to music, what a fantastic surprise it was to hear some proper rock n' roll last year when Royal Blood popped up out of the black (pun intended) and gave the music industry of the 21st century a well needed shake. I was first made aware of the Brighton duo's riffery when I saw them support Arctic Monkeys last year during their gig at Finsbury Park, and all I could think of after the show was, "Wow. Those guys rocked," with their set arguably being more memorable than that of Alex Turner and co. So now I've bought the album, claimed the T-Shirt and bragged about being able to see them once again at my local shithole of a venue, Plymouth Pavilions, did their brilliance shine once again? In a simple answer; Most definitely.


Arriving fashionably late and subsequently missing the support act, Mini Mansions, me and my rock cronies managed to blag our way to a reasonable standing position and after only ten minutes the troublesome twosome appeared and began to blast out their brilliant Nirvana inspired B-Side "Hole", which for all accounts should have been on the full album, accompanied by flashing neon lights and the sound being well and truly rammed all the way up to eleven. Good start. After giving us a brief "Hello Plymouth", which was always going to inspire cheers from the Janner faithful, the band swiftly treated the audience to singles "Come On Over" and "Figure It Out" interjected by album filler "You Can Be So Cruel", all of which went down a storm and succeeded in awakening the natural response of a rockn'rolla to mosh heavily to the monster riffs the band have a easy knack of creating. 


Halfway through the gig, the duo blasted out the killer single, "Little Monster" which was leading contender for song of the night so far, with its' simple bass riff being turned on its' head with the sheer power of drummer Ben Thatcher, who is slowly turning into one of my favourite musician of recent times with his monstrous playing being reminiscent of the very best rock drummers such as Zeppelin's John Bonham and The Who's Keith Moon. After new track "One Trick Pony", was ripped apart, the duo showcased their love for famous rock riffs by blasting out T-Rex's "20th Century Boy" which for all accounts was a masterful take on one of rock's most famous songs of the 1970's. The latter stages of the gig focused on the octave-madness of both "Careless" and "Ten Tonne Skeleton", whilst mosh of the night was clearly won by "Loose Change", closely followed by gig closer, "Out of the Black" which was a grand-spanking way to conclude a monumental night for both band and the audience. 


Royal Blood's performance at Plymouth Pavilions, if anything, only reinforces the notion that the band are one of the hottest acts in the UK music scene right now, with the live atmosphere working brilliantly with the heavy rawness of their debut album. Well done lads. 

Overall Score: 9/10

   

Monday, 23 February 2015

Evolve - XBOX ONE - Can the big monster still pack the punch?

Online games are something I tend to stay away from. Not just because of an internet connection worse than a poverty stricken 3rd world continent but due to their lack of diversity and story. However, there are a few games that have worked solely on an online experience such as Titanfall which stands as one of the best online experiences I have had in many years and one of my favourite games to play on the Xbox One when I get bored. You also have the Plants Vs Zombies third person shooter that sits firmly as a fun and creative experience that has very little Cod or Battlefield mentality lurking among their community yet both lack a campaign to engage me into the world even more. As for Evolve, if you watched our EGX trip vlog, you may have picked up on my love and excitement for Evolve. As it stands, I got a hands on with the Kraken and whaled on the 4 hunters. Once the Big Alpha appeared, I got another chance to try all of the hunters which you can also see on the Youtube channel.

Evolve works on a 4V1 system online FPS. If players aren't found, AI's will fill in the gaps. Now 4V1 in any situation is bad, however, if that 1 is a hulking monster with an insatiable thirst for power and a passion for killing things and using your spine to scratch that spot you can't quite reach, its a heart pounding experience. From the alpha and beta demos, I experienced a good build, minor glitches at times and a few full on game breaking bugs. Its only now that we find out if Evolve and 2K studios can stand up and create a game that doesn't have its fans seething with rage.

Given some time to play around everything else, Evolve is remarkably easy to progress through. With very little time and motivation, it didn't take me long to to plough through character skills with very little progress through the levelling system. Not that the game needs a prestige system and an overdose of levels to gratify playing it for extended periods but its this length that reduces that games life with little potential for prolonged play without paid DLC. Alongside very few game modes, you get little variation to reduce modes becoming thin and rather lacklustre with little potential to move further. Considering my excitement, maybe I expected a little too much from a game that was an online exclusive like Titanfall but Titanfall came out with a lot to offer from the offset with a lot of fresh ideas. Evolve skipped that and dropped in a horde mode, right at release that with improvement, could have stood as a free inclusion to draw players back. Speaking of DLC, its seems to have taken a huge grasp in recent years and the DLC apocalypse within Evolve is just one example of why these guys need to rethink their plans. Sure, make money, that's cool by me but clasping for money from tiny extras like a weapon skin pack really isn't on in any situation. Alongside releasing 44 DLC pieces on release, being greeted by a massive day one patch that is bigger than most of the PC games I download and play and finding that the season pass doesn't give you all of the content leaves a sour taste in the mouths of those who have paid the extra.

Ignoring the blatant money grabbing and the length, Evolve can be extremely fun. As the monster is a preferred character of mine, I was going solo and that often leads to some extremely tense moments that had me shaking from adrenaline pumping through me at a rate of knots when posed against a team that are well choreographed. Its these hairy situations that make Evolve fun. The same can go for for the Hunters but often enough, you play with people who simply want to run off and kill the monster on their own and surprisingly, it is almost always the medic. Given that they are given free reign of the map, they will not partner with anyone and the lack of a medic means those who are actually in the fight are left constantly being battered. As for the support class, they fell very inefficient. Their role doesn't change the course of a game unless you are trying to run away from the monster. Back to the monster, have to look at the support you get when you start the game. You have
to choose how you want to advance from the get-go, go loud and run or stick low and not leave footprints? Its erratic when almost instantly you can be tracked because you've drawn or scared the local bird population no matter how you've started and its this that means the monsters can often be caught in a matter of minutes giving all the edge to the hunters. If the hunters are sufficient players, you won't see stage 2. If they split and go solo, you will be looking at an easy win. From here we have to talk about the match making process that comes into play. Is it fair to drop someone in as a monster with no support against a team who are far superior giving an incredibly unbalanced match? No not really. Dropped into lobbies with level 15+ while I'm only 8 was daunting enough adding that I was only a Goliath against a squad of second+ tier hunters ended with me being killed in a matter of 3 minutes flat. Apart from the obvious team balancing issues, the AI is very well programmed. Sometimes they can be a little hard but it has been calmed down since the Big Alpha which means fighting AI's isn't impossible. The creatures of the land are unforgiving and generate enough distractions that can be used tactically depending on your situation.

Finally we have the visual aspects of the game. As a next gen game, they are up to standard. I'm not in awe of the work they have done, simply as I haven't been still long enough to focus on the vegetation of the landscapes. Although there was never a scene that captured me even when I was moving about. In Dragon Age Inquisition, I was caught by the composition and lighting effects within a jail cell while Evolve was more of, "Oh, that looks cool...". Their character designs are where Evolve stands out. Although the monsters are somewhat generic, the hunters run on irony and stereotypes for certain nationalities that are rather amusing and once decked out, look pretty badass. Although a story mode might enable this guys to flourish, they are funny amoungst themselves.

If you are looking for a bit of fun, something to kill a few hours, Evolve is perfect for that. As a long term commitment, it lacks. Eventually the games multiplayer will become sparse and the newcomers later down the line will find it hard to get a decent start into the world without suffering continuous losses until they level up and gain some perks. Visually it is good, I still have sound issues that make the game sound like a robot, whether that is something to do with latency, I don't think I'll ever work it out, but my experience on other online games says otherwise. Pick it up for a little fun, make sure its price is a reasonable £20 or so to get your value for money. All in all, the game is probably a 7/10. I certainly got caught up in all the hype from EGX but the overall outcome was still good and enjoyable except from its large flaws which in some cases, put money ahead of the consumers.


Live Oscars 2015 Feed

Live Oscars 2015 Feed


00:21: Here we go then! The 87th Academy Awards is upon us! Here at Black Ribbon we will be doing a live feed of tonight's Oscar ceremony starting from the Red Carpet which is happening right now! 

00:31: I must admit, Margot Robbie is looking pretty damn fine on the Red Carpet tonight. Be sure to see her new film Focus this week! I will be reviewing it at the end of the week! 

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00:36: J.K. Simmons is looking pretty bad ass with that hat. Whiplash was probably my favourite of the best picture nominees and he is a dead cert to walk away with the Best Supporting Actor gong.

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00:42: Probably my favourite picture of the night so far. The fake baby from American Sniper definitely should be in the Best Actor category instead of Mr. Cooper.

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00:46: JENNIFER LAWRENCE UPDATE! Have seen no sign of J-Law or any cones for tripping. 

00:55: Sherlock is here people! 

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01:07: Okay. Lady Gaga looks like she has killed someone.

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01:10: The love of my life has arrived. Reminding me of how amazing Interstellar was!

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01:13: I think these three presenters on Sky should be replaced straight away. Alexa is just annoying. Noel needs to go back to Doctor Who and the other guy should be replaced by Mark Kermode.

01:17: With Pizzas being bought last year, what are the odds Neil Patrick Harris goes one further and orders McDelivery? Still hasn't come down the Plymouth yet...

01:22: Probably the best photo of the night so far. Emma Stone gorgeous as always!

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01:28: Umm John, get the hell off Black Widow. She's mine.

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01:31: Cool. The Red Carpet is over. TIME FOR BUSINESS PEOPLE.

01:33: Ouch. Slightly racist beginning. But we carry on... Onto a rather comical-yet-slightly spoiler-ridden fashion! And Jack Black. Who always is amazing!

01:37: Apparently this ceremony is only being showed on Sky Movies (Which I thankfully have) which is rather disappointing for 75% of the world who can't afford to pay 70 pounds a month for such a privilege.

01:40: Ethan Hawke was looking like I felt after NPH started with a slightly racist dig. WTF

01:41: Best Supporting Actor is... J.K.SIMMONS!!!


01:43: Fully deserved. Absolutely loved Whiplash and gave it a rare 10/10. Even Miles is smiling like a little puppy. J. Jonah Jameson has stepped up. Although he has used the same joke as he did at the BAFTAS, that joke still rules. Don't worry J.K... I will ring my mum. Maybe not now though, may wake her.

01:54: Break One. Cup of Tea time. Summary so far? Glad J.K Won as it was fully deserved, but the ceremony itself has been a bit underwhelming with NPH looking a tad nervous with jokes (particularly the racist one) failing flat !

01:57: NPH seemingly looks at the audience for acceptance whenever he tells a joke. Not good. Hey its' Captain Kirk!

01:58: Best Costume Design is... THE GRAND BUDAPEST HOTEL

02:00: WOWOWOW A REESE WITHERSPOON JOKE ABOUT A SPOON

02:01: Achievement in Makeup and Hair styling goes to... THE GRAND BUDAPEST HOTEL

02:05: So, The Grand Budapest Hotel is doing well. Probably is my favourite Wes Anderson film to date so well done! In other news, NPH has failed to solidify himself as host.

02:07: Here is my man J.K. Simmons. Fully deserved to win.

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02:09: Blimey... Get the name right. Do not do a John Travolta NPH. That has been done already.

02:10: Best Foreign Language Film is... IDA

02:12: I love it that the music has not put this guy off. Fair play. Keep on going son... Take over from NPH while you are at it!

02:14: Nice trio of films there. Boyhood, The Theory of Everything and Birdman are all pretty damn good. Best out of the three? Boyhood. Which should win best picture.

02:18: EVERYTHING IS AWESOME

02:23: Sit rep. Hot Ribena has been replenished and the bakewell tarts have been consumed. Sugar levels need to be leveled even higher if I am to continue! Come on NPH. Wake me up...

02:25: Best Live Action Short Film is... THE PHONECALL

02:28: Blimey they are really getting everyone off quick this year. That poor guy only had about 30 seconds to speak about doughnuts! Anyway Best Documentary Short goes to... CRISIS HOTLINE: VETERANS PRESS 1

02:34: Oh Emma Stone you look lovely.

02:38: Another break time! This is worse than the Superbowl!

02:41: Best Supporting Actress is coming up! I think I picked Rosamund Pike but I think Ms. Arquette will have this one.

02:42: But first Best Sound which should go to Whiplash. And it goes to... Hold up we have NPH naked, Miles Teller and the gorgeous Margot Robbie first.

02:46: Best Sound Mixing goes to... WHIPLASH

02:49: Best Sound Editing goes to... AMERICAN SNIPER

02:50: Blimey, Sienna Miller looked gorgeous then. But she had Captain America next to her so that's her gone. Glad Whiplash has won another! Should win for Editing too!

02:52: Best Supporting Actress goes to... PATRICIA ARQUETTE

02:55: Emma Stone holding that LEGO Oscar was rather cute though... She should have won it just for that! And look at Ed Norton. He killed Lucy Beale.

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03:00 Into the first three hours of the day. And we have Rita Ora. Eugh... In good news Best Animated Feature is soon! Which surely features the most shocking oversight of this years' ceremony with The Lego Movie not being there.

03:03: Best Visual Effects time surely must be Interstellar. Absolutely beautiful. This decades 2001: A Space Odyssey. 

03:04: Best Visual Effects... INTERSTELLAR

03:05: I really do not understand why Interstellar hasn't had the love that previous Nolan efforts have had. I thought it was brilliant and on par with Inception and The Dark Knight. 

03:08: Anyway... Best Animated Short - Feast

03:10: Yes... THE ROCK

03:10: Best Animated Feature Film is... THE LEGO MOVIE

03:11: Jokes... It's Big Hero 6

03:16: I agree with the Sky panel. NPH hasn't been on form tonight i'm afraid. Bit awkward and not on par with Ellen from last year.

03:18: Ahh it is the Dick Poop culprit! I love this woman.

03:21: Best Production Design goes to... THE GRAND BUDAPEST HOTEL

03:23: Blimey, Wes and his hotel are doing incredibly well tonight! Are on course for taking home the most awards this year!

03:24: Sass personified. Idris Elba and Jessica Chastain! Both brilliant people! And awarding Best Cinematographer.

03:25: Best Cinematography... BIRDMAN

03:26: Hmm. I wouldn't say the one-take-cinematography was as ground-breaking as everyone says it is in Birdman, particularly when it was done years before in Hitchcock's Rope, but it is still a great film.

03:34: Sass.

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03:40: And break time. When normal service resumes I assume it's time to get down to the nitty-gritty side of this year's awards. Let's do this.

03:43: Time for Whiplash to win another award!

03:43: Best Editing goes to... WHIPLASH

03:46: Time to give some love to Whiplash. It is simply brilliant. Sorry if I keep going on about it but if you haven't seen it, watch it. Now.

03:50: Best Documentary Feature goes to... CITIZENFOUR

03:51: I'm ashamed to say I haven't seen Citizenfour yet! For all you UK viewers however, it is on Channel Four sometime this week! Sorry I'm a bit vague!

04:00: I do love a bit of John Legend. Especially that song he did for Django Unchained a couple of years back. Not too fond of this song for Selma though.

04:01: Here is Jared Leto. With a brolly.

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04:03: Bring on the tears! Even Chris Pine! AND A GOOD JOKE FROM NPH!!!

04:05: And the joke of John Travolta is over...

04:06: Best Original Song goes to... GLORY FROM SELMA

04:09: Very good speech from Mr. Legend and Common there. Best one so far... And it's going to be followed by Lady Gaga. Kill me now.

04:15: Boooooooooooooooooooo.... Get Muse on instead. Actually, it's not too bad. At least it has woken me up slightly. Time for Julie Andrews to out-sing Lady Gaga ten-fold. Go on. Do it.

04:22: Best Original Score goes to... THE GRAND BUDAPEST HOTEL

04:24: Wow. Wes is doing really well tonight. Might have to get around to seeing Moonrise Kingdom sooner than later.

04:28: Julie Andrews is 79. 79 people.

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04:29: Time for one of the most tightly-fought categories so far. Best Original Screenplay.

04:30: Best Original Screenplay goes to... BIRDMAN

04:33: Oprah Time...

04:34: Best Adapted Screenplay goes to... THE IMITATION GAME

04:35: I'm glad The Imitation Game won something. Was a brilliant film with a beautiful central performance from Mr. Cumberbatch. It's a shame he won't win Best Actor...

04:41: Big hitters time!

04:42: Best Director goes to... BIRDMAN (Alejandro González Iñárritu) 

04:44: Really thought it was going to go to Linklater for Boyhood. Can only mean Boyhood will get Best Picture instead. 

04:48: The lovely Cate Blanchett is announcing Best Actor! Good times. 

04:49: Best Actor goes to... EDDIE REDMAYNE (OR REDMAYBE)

04:52: I think Eddie is a bit excited! Bless him! Well deserved.

04:53: Nice beard Matt...

04:54: Best Actress goes to... JULIANNE MOORE (STILL ALICE)

04:57: Cannot judge as Still Alice is yet to come out in the UK! Out next week in cinemas.

05:00: It's the big one! Best Picture time. Should be Boyhood. Might be Birdman. AHAHAHA.

05:01: Best Picture goes to... I WANT TO KNOW NPH!!!

05:03: Best Picture goes to... BIRDMAN


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05:07: All in all, a pretty predictable Oscar ceremony with a rather awkward host in the form of Neil Patrick Harris. I'm glad Whiplash won a few awards but it was really Birdman and The Grand Budapest Hotel who did the best tonight. See you all next year...


Saturday, 21 February 2015

Film Review: Predestination

A Man Walks Into A Bar...



Time-travel movies always seem to have a fundamental, and crucial, element of attempting to  prevent the audience from asking too many questions in regards to the sciencey-wiency, timey-wimey, wibbly-wobbly (Yes, Doctor Who is amazing) stuff that happens during the course of the film. Thankfully in the case of Predestination, such a crucial element is adhered to, with it being a rather enjoyable, and slightly confusing, 90 minutes of science fiction which gripped me from start to finish.


Ethan Hawke, fresh from his role in the wonderful Boyhood, plays an un-named time agent who seeks to bring down the one target that has eluded him throughout his life, the Fizzle Bomber, yet during his undercover operation in the 1970's, he comes across the transgender John, who begins to tell the tale of his life and, most importantly, the one man that has eluded him, prompting Hawke's character to make the most of his time-travelling capabilities and help John understand the nature of his mysterious saboteur. The film has echoes of previous sci-fi films such as Looper and Jumper, yet Predestination stands strongly on its own two feet by having a brilliant script, albeit one that asks a range of questions, particularly in regards to paradoxes and fundamental time-travel problems, and some solid acting, particularly from Australian actress Sarah Snook, whose portrayal as the transgender Jane/John being a particular highlight.


Although Predestination may have slightly sunk under the UK film radar, it is definitely worth seeking out and watching, with it being the on par with the other stand out sci-fi film so far this year; Ex Machina. It is also good to hear that Sarah Snook has been recognised for her role in the film, with her winning "Best Actress" at this years' AACTA Awards and it is her performance, and the film's rather strange script that makes Predestination a reel sci-fi winner.

Overall Score: 8/10



Wednesday, 18 February 2015

87th Academy Awards: Best Supporting Actress

Oscars 2015
: Best Supporting Actress


Here we are at last. Our dedicated blog to the Oscars is nearly at its' end with the ceremony only a matter of days away. Before then we have one more category to discuss; the category for "Best Supporting Actress", which this year features a range of talent, and Keira Knightly. All joking aside, her performance in The Imitation Game was one of her best to date, but unfortunately for her, the bookies favourite this year is Patricia Arquette for Boyhood, which is incredibly hard to disagree with, although Emma Stone for Birdman would also be well received with everyone loving Emma Stone. Or at least I think they do. In terms of overlooked, I thought Jessica Chastain was pretty darn good in A Most Violent Year and so was Rene Russo in Nightcrawler. Anyway, enjoy the ceremony! 

Meryl Streep - Into The Woods
Laura Dern - Wild
Patricia Arquette - Boyhood
Emma Stone - Birdman
Keira Knightly - The Imitation Game


Friday, 13 February 2015

Film Review: Coherence

A Dirty Snowball


On a week where Jupiter Ascending is the most hyped sci-fi film in cinemas, James Ward Byrkit's Coherence will no doubt be overlooked by the general public. This will be particularly due to a limited UK release, as well as a complete lack of promotion, with not even a trailer being released in any cinema that I can think of, something of which is rather rare in today's society, but also something that, in my opinion, is beneficial for both the viewer and the film itself, with a lack of hype and expectation usually resulting in a better cinematic experience. Another contrast with Jupiter Ascending is that Coherence is rather brilliant whereas, if you have read my review, Jupiter Ascending is definitely not. 


 The films' setup is very reminiscent of the brilliant You're Next, with both films beginning with a group of friends and family meeting up and then the evening suddenly going rather downhill, yet where You're Next was a slasher/horror movie, Coherence delves into the realm of sci-fi/thriller/horror, whilst having an overwhelming scent of the mind-boggling Primer residing over it. The acting is all pretty much top-notch, yet the claustrophobic feel of the film gives it a powerful holding effect, particularly in scenes where the ambiguity and creepiness is rife, yet thankfully, the ambiguity is not so full on that you lose track of what is, or might be, going on.


Overall, Coherence is a thought-provoking, clever and pretty eerie sci-fi film, whilst evoking a natural response to watch the film again as soon as possible once the credits start rolling, something of which is always a good sign. 

Overall Score: 8/10


Thursday, 12 February 2015

Film Review: Jupiter Acending

The Day My Mind Stood Still


Oh Wachowski siblings. Your once promising career has all but ended thanks to this latest offering to the people of this much loved Earth. Such an unwelcome gift comes in the form of Jupiter Ascending, a film that can only be described as being this decades' Battlefield Earth, a statement that does not come lightly, whilst being a complete shame when remembering how brilliant The Matrix was when I first watched it. Now, in 2015, instead of The Matrix, we have a film with no soul, no depth, and seemingly not a care in the world, aside from one that has a massive bank note wrapped around it, with its' lead characters being almost as soul-crushingly dull as the film itself. Rant mode activated. 


I would attempt to give a brief synopsis of Jupiter Ascending, but the truth is, I really cannot be bothered. The plot is so ridiculously uninspiring and sleep-inducing that it's making me yawn even as I think about it now, whilst simultaneously making me cringe so hard, I feel like I am looking at early photos of my dress sense in the 1990's. So plot done with, what's next I hear you ask! Characters. Okay. Firstly, I have a fundamental problem with Mila Kunis as a bog cleaner. It just wouldn't happen. Also, being cursed with a name such as Jupiter Jones, surely she would have legally changed it by now? No sane human being would walk around 21st century society with a name so laughable being called Ben Dover is a step up. Unless that's the actual underlying point of the film, that she is actually so insane that she dreams of meeting a topless, roller skating, wonky eared, Channing Tatum and flying off to badly CGI'd planets, because whoever pitched the idea of Jupiter Ascending was clearly mad and needs to be heavily sedated and sectioned ASAP.


As for Channing Tatum, his reputation as a "serious actor" has been dealt a crippling blow. Why would he, after doing so well in Foxcatcher, want to be in this turkey of a movie? Surely he must have read the script? The same goes for Sean Bean, who throughout the entirety of his scenes in the film looks as bored as I did watching him, yet acting bored in a movie is better than acting as a humanised wooden plank, a feat which Ms. Kunis passes with flying colours. And now on to Eddie Redmayne. Oh Eddie, Eddie, Eddie. Your Oscar win is not as clear-cut as it might once have been. His portrayal as the villainous I-don't-care-what-his-name-is is exceedingly laughable and can only be described as the dull second-cousin of  Gary Oldman's, Zorg, in The Fifth Element. His constant need to quietly whisper instructions to badly designed flying reptile things was bad enough, but when juxtaposed with sudden belts of screaming, it was like watching my 13 year old brother having a hissy-fit after not being allowed on the PlayStation. Sorry Eddie, but you were utter pants. 


In conclusion, Jupiter Ascending, is complete tripe. The attempts at acting are terrible. The plot is ludicrous. Okay, it might look good and fancy, but fanciness cannot save Jupiter Ascending from being one of the most boring and pain-inducing sci-fi films I think I have ever sat through. I think it's time to watch The Matrix again. 

Overall Score: 3/10



Wednesday, 11 February 2015

Film Review: Inherent Vice

1970: A Drug Odyssey


Paul Thomas Anderson films in general, so far, have been films that I haven't really warmed to. I didn't really dig Magnolia and I couldn't stand The Master, so with this in mind, my expectation level going into Inherent Vice was rather flat. After watching it though, it's safe to say Inherent Vice is probably my favourite Anderson film to date, which in itself is faint praise due to my distaste for his earlier material. The film focuses on Joaquin Phoenix's, private investigator Larry "Doc" Sportello, and his plot to help his ex-girlfriend have her wealthy boyfriend Mickey Wolfmann committed to an insane asylum, yet that's as clear as the film's plot gets, with its' two and a half hour run-time being full of ambiguity and a distinct haziness which clearly attempts to parallel the drug-infested era of the early 1970's. The challenging nature of the film will definitely not be for everyone, particularly those who depend on a film's narrative being explained to the last detail, yet it's lack of explanation adds a strange layer of mystery, which in itself is rather compelling.  


Inherent Vice is full of solid acting, strong comedic moments, and a plot so out-of-control, it ends up being both painful and fascinating, Its' run-time is way too long, and the film suffers as a result, as many times I began to lose patience and checked how long we had left. Like I said, Inherent Vice is my favourite Anderson film to date, and it makes me want to watch his previous efforts again to see if it was just me and not the films themselves. Peace Out.

Overall Score: 7/10