Sunday, 21 February 2016

88th Academy Awards: Best Actress

Best Actress


After last years' predetermination at the BAFTA's, with Julianne Moore winning the prestigious Best Actress award for Still Alice, a film that hadn't hit UK cinemas at the time of the ceremony leaving the choice of winner solely in the hands of preview-screened critics, the Oscar's soon followed suit and awarded Moore with her first award after many nominations for films such as Paul Thomas Anderson's Boogie Nights and Far From Heaven. Completing this years' nominations is a variety of talent ranging from rising stars to cinematic gems with each film definitely getting the vote of confidence from here at Black Ribbon, even Joy, the newest release from David O. Russell, which although features a riveting leading performance from Jennifer Lawrence has been regarded by many as a limp entry into the impressive canon Russell has already established, with The Fighter and Silver Linings Playbook doing particularly well at the prestigious ceremony in previous years. Could his and Lawrence's success at the Oscar's continue this year? Let's ask the people in the know.


In the wise eyes of the bookies, Brie Larson is set to carry on her success at the BAFTA's with her being odds on to pick up the Oscar for Best Actress in Lenny Abrahamson's simply brilliant Room, a film which manages to carry the balance of the dark and the twisted yet ultimately proclaims itself as a life-affirming drama, featuring a world-class performance from young Jacob Tremblay who along with Larson brings the brilliance of the film to light, resulting in the rare occasion whereby I completely agree with the Academy. Sure, Cate Blanchett is rather flawless in Todd Haynes' Carol and Saoirse Ronan continues her streak of being perfect in every way possible (CRUSH INCOMING) within the beautiful Brooklyn, but Larson is the stand-out, pulling in a performance that those at the Oscar voting table love; no make-up and a lot of crying. It might just be the start of something magical. Cringe. 

Next Time: Best Director


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