Showing posts with label Amanda Seyfried. Show all posts
Showing posts with label Amanda Seyfried. Show all posts

Monday, 12 March 2018

Film Review: Gringo

"Why Do I Always Get Screwed For Doing My Job...?"


Itching with a sense of Hollywood styled nepotism, director Nash Edgerton brings brother Joel (Red Sparrow), Charlize Theron (Mad Max: Fury Road) and Oxford's own, David Oyelowo (Selma) aboard for his directorial debut, Gringo, a kooky, wildly inconsistent crime caper based on a screenplay by both Anthony Tambakis and Matthew Stone which sees Oyelowo's white-collared Harold Soyinka caught between his sickeningly narcissistic bosses and the murderous ventures of the Mexican cartel as attempts to reconstruct his life based around cheating partners and financial ills by conning his way into a paycheck suitable enough to begin a new life. With the trailers somewhat misleading the movie's true intentions by presenting it as a full bodied comedy, Gringo instead is the type of movie which can't seem to make up its' mind as it grinds solemnly through a runtime which edges just under two hours, and whilst each of the cast members give it their all in attempting to breathe some sort of life into proceedings, Edgerton's movie just doesn't seem to leave any sort of meaningful impression and simply comes in via one ear and departs swiftly out of the other. 


Beginning by laying the foundations for the misfortunes which await Oyelowo's titular "Gringo" as he follows Theron and Edgerton's success craved business partners across the Mexican border in order to talk business regarding the sale of a marijuana-infused pill, Edgerton's movie takes time to really set sail, with a first half unsure of its' ultimate direction resulting in losing audience interest rather swiftly, and even as the action unfolds once we hit the the sunny sights of a gangland infested Mexico, Gringo doesn't at any time hit a steady stride in regards to what we as the audience are meant to be taking in and dissecting. A few chuckles aside, Gringo doesn't ultimately work as a comedy either and is a film better served being admired as a Guy Ritchie-esque double crossing caper, just without the freshness of a Lock, Stock... or the zesty absurdity of a Snatch, and with a thrown in penchant for unnecessary violence and crude stereotypes regarding one-dimensional Mexican citizens, Edgerton's movie is a strangely dull mixed bag of a movie. With the trio of front and centre stars all managing to come across somewhat watchable however, with Oyelowo's likeable luckless lead the obvious standout, Gringo isn't exactly poor, it's just badly managed, and for a cast this talented at the heart of it, Edgerton's debut could, and should have, been much, much sharper.  

Overall Score: 5/10

Saturday, 11 July 2015

Duo Film Review: Ted 2

Dan's Review


Comedy that is shipped over from the US into our beloved country always seems to be an example of something having that "marmite factor" whereby you either love it or loathe it. In the case of Seth MacFarlane and his own personal brand of comedy, I do believe he is a talent, with the first few seasons of Family Guy still being his opus magnum in my opinion, but any talent he does possess is seemingly starting to wear thin and I can't work out whether my taste for his humour has outgrown me or whether it is just plain bad. What an opportunity it was then for Mr MacFarlane to solidify his stance as one of the US's leading comedic flagships with the release of Ted 2, a sequel to the 2012 comedy featuring MacFarlane himself as the voice of the titular living, breathing teddy bear and "Marky" Mark Wahlberg as best friend John Bennett. A return to form for Mr MacFarlane you ask? I'm not too sure. 


After a year of marriage to partner Tami-Lynn, Ted (MacFarlane) believes the best way to revive their eroding relationship is to raise a child as their own through means of adoption after Tami-Lynn is found to be infertile due to heavy drug use. Due to the application of such an adoption, Ted is red-flagged as being property and not in fact human, leading to his marriage being annulled and a court case to determine whether such a status can be revoked. With "thunder buddy for life", John at his side, along with attorney Samantha L Jackson (Amanda Seyfried), Ted must face the power of the courts in order to claim his life back once again. In terms of the comedic value of Ted 2, MacFarlane does manage to include some funny set pieces that although are heavily influenced by the slapstick comedy prevalent in Family Guy, was quite effective in some areas of the film throughout its' overlong two-hour runtime. Funny too were incidents in which humour was placed just below, or even slightly above the line of bad taste, particularly in one scene in which Ted and John rudely interrupt an improvised comedy sketch. 


Now here are the problems. Firstly, there are few too many jokes within Ted 2 that just don't hit the mark at all and actually end up being rather cringe-worthy, particularly the recurring jokes about men's genitals and Amanda Seyfried's character being called Samuel L. Jackson which when repeated actually brought about silence into the screening I was in instead of rapturous laughter which I assume Seth MacFarlane, in all his infinite wisdom, was aiming for. Secondly, the film's plot has a fairly similar design to its' titular character, with them both being rather hollow and stuffed with rather inanimate rubbish, such as weird, out-of-place cameos from people such as Liam Neeson who had obviously just turned up for the paycheck in a scene which may have better suited something like Family Guy instead of a feature film in which it made no sense whatsoever. 


Lastly, the films' treatment of women, geeks, and other separate groups of people aside from either single hunk-man or teddy bear was actually rather crass and immature as well as lazy on the writers' part showcasing how although Seth MacFarlane can be funny in places, overall, his comedy seemingly only encompasses that of a mind of a teenager desperate to show how much swearing he can fit into one single sentence whist feeling anxious at the lack of sexual endeavors he has explored in his life to date. The "marmite factor" that is so often the case when it comes to Seth MacFarlane was highly evident once again in Ted 2, a film that although was funny in places, was rather unremarkable and quite tedious on the face of it resulting in Mr MacFarlane once again failing to align himself with the gold-star comedy he may or may not be capable of. 

Dan's Score: 4/10  

Pete's Review


Ted 2 is a comedy movie which answers the age old question of, 'How the fuck does this bear legally work and marry?' Well, it gets answered and we see that Ted 2 is based on giving Ted (Seth MacFarlane) personship and civil rights to work, marry and adopt a child as being a classified human entity. As we know though, the film won't be all doom and gloom and the ending is guaranteed from the start but its the journey that gets them there. John (Mark Wahlberg) is now single after Mila Kunis left him and is down in the dumps until the duo come across Samantha (Amanda Seyfried) while on the search for a lawyer to represent Ted. John's story is him finding love and how the pairs attraction flourishes as they get high and help their friend, Ted is merely along for the ride. As far as comedies go nowadays, this story is one of the betters. No plot holes, loops or anything to confuse, a very linear sequence with a few reflections of the past installment but altogether fun and engaging. 


Comedies aren't something you can rate like any other film, it is the most subjective genre out there and lacks the artsy glitz and glam of Hollywood blockbusters and art house films. The film looks wonderful, a couple shots gained through a GoPro don't have an effect on the viewing and the VFX for Ted were almost perfect. Seth MacFarlane has a warehouse of talents and its almost always promised that you will come out of the theater with a smile. His selection of music gives transitions a very classic feel with a variety of names that remind me of his Oscars show a few years back (Still my favourite). Honestly, its a well made movie. Production has been key and they've made it look and sound fantastic, the casting was ramped up and the acting was nowhere near as bad as I had anticipated. Now the comedy. The struggle. Often enough I was laughing away at the obscenities and antics that the group got up to but American pop culture references dropped like a stone. Its universal audience watched as a moment of silence ensued for comedic effect but brought no laughs. References like this ruined certain scenes, made them null and void for anyone watching. It leaves you wondering exactly what is going on. 


Not many people will know Tom Brady outside of the US and I'm probably one of few to know who he actually is but his history requires a shred of knowledge of American 'Football'. It's not all bad! In fact, when things like this weren't going on, I was constantly wiping tears from my eyes, more so at a particular improvisation scene which has me laughing still 24 hours on and a lot of hyper-sensitive farts pissed. Perhaps it's my morbid sense of humour but I really love jokes that can be offensive. I love Jeremy Clarkson and Frankie Boyle for those exact reasons. Ted 2 surpassed the original and although certain story elements were repeated in this, they were better executed with a level of comedy that was far more confident than that previously. Everything looked wonderful and it was a fun movie. It's good entertainment for those who want something simple and its probably one of the better examples of American comedies I've seen in a while. 

Pete's Score: 7/10

Overall Score: 5.5/10