Anyway, after all the hype, I noticed a low score for it on IMDB and fairly mixed reviews. Trying to keep positive, we hurried to the release, only to come out wondering what on earth just happened. (Update - I just watched Prometheus and I'm just as confused). From what I can fathom, The Counsellor is about a partnership between "Counsellor" (Fassbender) and Reiner (Javier Bardem) who have expanded Reiner's already booming drug business. Something goes wrong and their cartel connections decide to go around killing them. In terms of realism, the outcome is no where near what would typically happen. Portraying everyone as philosophical, highly educated players doesn't really aid the movie in any form. If you do any research into these topics, the majority of the players have crawled from the bottom and lacked a lot of support and wouldn't experience such literature.
So, the film's story didn't make sense and the cinematography reflects this. It shows a higher interest in the way the movie looks rather than flows. You jump from America to Europe, with not so much as a warning. Time apparently passed rather rapidly but you struggle to get to grips with the lay of the
land. Visually, the movie is gorgeous. The blood, gore and shit (yes. Shit.) looks real and the crap certainly made me gag once or twice while the chopping off of the dudes head was epic. The focus and lighting on screen were beautiful and lavish set pieces really push the representation of being young and rich. Yet, there was many continuity errors throughout and they would stick out obtusely like a whore at a dinner party.
One of the redeeming factors for the film is its scripts. Even when they are being philosophical, what they are saying is strong and really resonates (even when factually wrong at points). A personal favourite is even in the trailer and said by Westray (Brad Pitt), "If your definition of a friend is someone who will die for you, you don't have any friends" - It's phrases like this that pop up continually throughout the movie and really pose moral questions in a thriller. It just doesn't fit into the perimeters of the movie, which if the story was stronger, perhaps it could have really flourished. but then you have the screen play reering it's head and pissing on the parade. We have scenes that are so obscure, not even Tarrintino would think of it. Malkina (Cameron Diaz) has sex with a Ferrari. You may be asking how, turns out rubbing your junk over the windscreen while doing the splits constitutes sex. I think the quote best describes it, "It was like one of those bottom feeders, sucked to the glass".
In total, the film was really weak. Most likely a flop or just about breaking even in the long run. Probably will be showing on BBC 1 at midnight in 10 years and ITV in 5. So, if you don't fancy paying for it, it's not long too wait. The movie deserves a 6/10. Putting my critical head on, you really do feel let down coming out of the movie when you haven't had it explained to you. There's very little excitement and you would think that a movie of this scale wouldn't have so many cock-ups throughout.
No comments:
Post a Comment