Thursday 19 July 2018

Film Review: The Secret of Marrowbone

"At Last, We've Found The Place Where We Can Be Safe..."


Written and directed by Spanish filmmaker, Sergio G. Sánchez, whose previous credits include screenplays for the likes of The Orphanage and The Impossible, interesting and successful movies directed by fellow compatriot, J. A. Bayona, who is currently making waves in the box office with Jurassic World: Fallen Kingdom, The Secret of Marrowbone is a equally fascinating thriller chiller which merges ghostly horror with secretive deceptions as the movie follows the Marrowbone family after the untimely death of their loving mother in 1960's America. Led by George MacKay's (Pride) Jack Marrowbone, the reclusive family soon become haunted by a seemingly supernatural entity buried high within the household, adding to the perils of the local lawyer, as played by Kyle Soller (The Fifth Estate), who attempts to derail the family's ownership of their one safe haven, and whilst Marrowbone is a movie bursting with splendid performances, subtle creepy asides and beautiful set designs, Sánchez's movie ultimately doesn't hold a candle to his previous works, but still remains a solid, if overly predictable, gothic floor-creaker. 


With supporting performances from the likes of young, genre aficionados such as Charlie Heaton and Mia Goth, with the latter rising to fame in Netflix's Stranger Things and the former starring in the likes of A Cure for Wellness and the upcoming remake of Dario Argento's Suspiria, Marrowbone's leading performances are all effectively finely tuned for the overall mood of the piece, particularly that of MacKay, whose transition throughout the course of the movie works primarily to the actor's commitment and belief in the role. With the ever-splendid Anya Taylor-Joy (The Witch) taking a slightly different path to what fans of her work are used to, her character helps channel the absurdity of the plot come the final, overly predictable twist, a narrative jump which not only does not work as hauntingly effective as Sánchez's work on The Orphanage, but one which opens up a spectacular can of worms regarding the meteor-sized plot holes it leaves behind in its' wake. Featuring, but not relying on, a couple of well-timed jump scares and spooky set pieces, Marrowbone isn't your straightforward haunted house piece as it weaves through to more of a Gothic-infused, Shutter Island esque psychological conclusion, and whilst Sánchez manages to prove himself as a director in his big screen debut, its' surprisingly the script which doesn't exactly hold together, resulting in a movie which begins in puzzling fashion yet ends on a slight bum note. 

Overall Score: 6/10

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