Black Ribbon's Top Film's of 2015: Part Two

Top Films of 2015: 10-1

The first weeks of 2016 dawn upon us leaving the success or failures of 2015 swiftly in the past, a year in which I have well and truly have had to wait until the last week of the year in order to fully decide my top ten favourite films thanks to the late, late release of Star Wars: The Force Awakens, the continuation of the famous saga which, unless turned out to be absolute an absolute drag, was inevitably going to end up being one of my favourite films of the year. With this in mind, the final list has finally been completed and the best 2015, in terms of movie magic, has had to offer begins with...

10. Wild Tales

Deliciously dark yet uproariously hilarious, Damian Szifron's anthology of revenge leans heavy on the use of black horror and dry wit whilst not shying away from the ridiculousness of primal human nature in society today. I mean come one, almost everyone on the planet has had a barmy with a traffic warden and it is situations like these that are turned well and truly on their head and portrayed with a pulpy style reminiscent of the best comic violence auteurs like Tarantino and even Sam Raimi. Check it out now. 

9. Mad Max: Fury Road

George Miller's completely off-the-chain, ludicrous and wholly spectacular revamp of the famous cult classic Mad Max franchise in which a baby-faced Mel Gibson has been replaced with the stern English chops of Tom Hardy has ultimately in retrospect thwarted all previous expectations of its' critical sustainability due in part to it's simply mind-blowing stunt work and artistic tendencies with John Seale's cinematography being a standout performance. Sight & Sound voted it the third best film of the year but for me it sneaks just in at ninth. 

8. The Gift

Oh Blumhouse Productions, how you make me weep with both resentment and sheer admiration on a rather annoyingly regular basis. How can a production company resort to releasing such turgid disgraces to horror such as any of the Sinister, Insidious sequels but then also create films like The Gift, a cleverly scripted and brilliantly acted chiller thriller written, directed and starring Joel Edgerton which brought about one of the most horrific jump scares I can recall in recent memory. If there ever was a blueprint for heading in the right direction for Blumhouse then The Gift is it. Please abide by such. Please. 

7. Birdman

Preposterous and simply bewildering on first glance, Alejandro Gonzalez Inarritu's satirical glance on the state of Hollywood and the trials and tribulations of actors and actresses in general definitely takes some warming to and ultimately becomes a better film with each and every watch. Winning the Oscar for best film in 2015 was met with a whole lotta skepticism by many but in a strange, roundabout sort of way, by allowing the Oscar ceremony to fully embrace a film that basically sticks it's two fingers up at the current climate of Hollywood is rather comedic in itself. Birdman works, it just takes some time to fully understand why.

6. Star Wars: The Force Awakens

"Every generations has a story" claimed Disney and boy were they spot on. From the minute John Williams' famous Star Wars overture blasts on to the screen within The Force Awakens, you know you are in safe hands, yet J.J Abrams' continuation of the famous saga does more than settle for returning back into the saddle again after the peril of the prequels and instead introduces a new set of heroes for a new wave of Star Wars fans in the form of Rey and Finn whilst incorporating a complex, evil, and wholly interesting villain in the form of Kylo Ren. Simply marvelous. P.S, who else got a remote controlled BB-8 for Xmas?

5. Spectre 

There is something rather strange and fundamentally patriotic about my undeniable love for the James Bond series, a series in which its' peak was arguably tipped by the release of Skyfall back in 2012 and a film that SPECTRE had a barrel load to live up to, yet after the dust has settled and feelings have finally settled down, it seems there isn't much point in comparing the two with both strangely enough being completely different movies even if being molded by the same franchise. SPECTRE has strangely had some bad press by many, particularly across the sea in the US of A, but for me it continues the success of Skyfall and allows the beauty of Bond to continue well into the future. 

 4. Macbeth

Shakespeare meets Kill List with a hint of 300. What more do you want? After the dark and desperate display of directing in Snowtown, Justin Kurzel attempts to go full throttle darkness with the latest desperation of the famous tragedy starring the wonderful Michael Fassbender and the equally majestic Marillon Cotillard in the roles of Lord and Lady Macbeth respectively. It may not be for everyone, granted, but for the Wheatley-love that resides within me, Macbeth is the closest thing to a all-out cinematic blackout in terms of tone I have seen since Wheatley's own masterpiece, Kill List. 

3. Sicario

With the sequel to Blade Runner in the hands of Sicario director Denis Villeneuve, I can safely say my original feelings of utter horror and sheer doubtfulness have well and truly been grounded due to the continuation of Villeneuve's remarkable career so far. Continuing his success story of Incendies, Prisoners and Enemy, is Sicario, Villeneuve's white-knuckle thriller focusing on the dodgy dealings of the US Government around the Mexican border and the Cartel. Two set pieces particularly set the tone for the film with the tensest traffic jam ever and a venture into a dark and dangerous tunnel, combining in a film so engrossing it's hard to not talk about it after every watch. 

2. Inside Out/Song of the Sea

A bit of cheating here but it was simply impossible to decide which was better out of the two best animated features of the past few years or so, if not ever, with Disney's Inside Out sharing a wide range of similarities with Song of the Sea, a beautifully crafted animation based around Irish folklore and featuring some of the best use of music that has been heard this year. What do both movies have in common I hear you scream, well a wide range of imagination for starters as well as a sheer amount of attention to detail and scenes that are guaranteed to pull tightly at the heart-strings. Who says these films are for kids? If so, class me a child and I will wear it with pride if animated films continue to be this rich and rewarding.

1. Whiplash

If you are a regular visitor of Black Ribbon, you will no doubt be aware of my sheer admiration for Whiplash, Damien Chazelle's simply masterful and dramatic exploration of desire, admiration, willingness and eagerness in the world of music, helmed terrifically by the most deserved Oscar winner for Best Supporting Actor in recent years in the form of J.K. Simmons as Terrence Fletcher, the menacing and simply terrifying musical teacher who obviously takes his educational standpoint from that of Drill Sergeant Hartman in Kubrick's Full Metal Jacket. If you haven't had the chance to check it out yet, please do, and you will witness the best film of 2015. Trust me. 

Black Ribbon's Best Film Scenes of 2015

Best Film Scenes of 2015

Within every great movie is a scene of equal greatness, whether it be a memorable moment of character progression, a tear-jerking loss of a key character, or even something as trivial as a note of music that pulls at the heartstrings in a way that affects a particular viewer. Throughout 2015 there have been a vast amount of particular movie moments where the magic really kicks in, scenes in which have left a long-lasting impression within my mind and have resulted in either making the film a better picture or just a fantastic scene on its' own ground albeit being in a overly mediocre movie. Within this list is Black Ribbon's top ten most memorable scenes of 2015, starting promptly with...

10. A Meeting With Macha - Song of the Sea

Song of the Sea is many things. Beautiful. Awe-inspiring. Genuinely tear-inducing. Yet one of the things I didn't expect from Tomm Moore's animated masterpiece is the scene in which our beloved heroes come across the legendary owl-witch known as the Macha, whereby we witness the darker side of the Irish folklore in which Song of the Sea is based upon. Although most of Song of the Sea is undeniably child-friendly, the introduction to the insidious Macha was genuinely startling, resulting in a hallucinatory dream-scape of evil owls and creepy Irish folklore legends.  

9. Confrontation With Jobs - Steve Jobs

Although Steve Jobs is directed by the fine hand of Danny Boyle, it undoubtedly belongs to the craftsman of screenplays himself, Aaron Sorkin, with its' three-act structure being an effective stage for which Sorkin is allowed to play upon. Of the many wordy dialogues within the film, the scene in which Jobs is confronted by John Sculley within the second act of the film is the one that stands out the furthest, with Sorkin's brilliant script being fully embraced by the acting duo of both Fassbender and Daniels whilst being offset with flashbacks of the past, all of which results in a heavy sense of escalating drama that gives credence to the simply unfair talent that Sorkin has unleashed upon directors such as Boyle and David Fincher, both of whom have enjoyed undeniable success because of such in Steve Jobs and The Social Network respectively.

8. Day of the Dead - Spectre

Before Spectre was even released, director Sam Mendes made sure that his latest entry into the Bond canon was set to have one of the most epic opening scenes in the film's 53 year history, with the famous Day of the Dead in Mexico City being the backdrop for the return of everyone's favourite English super-spy. Beginning with a seemingly one-take shot following Bond through the streets of Mexico City and onto the rooftops above, Spectre's opening scene definitely ramps up the thrills and skills, with Bond mercifully tracking down and defeating a high-ranking agent of SPECTRE all-the-while attempting to keep the poor innocents of Mexico City with their lives intact from the rogue helicopter in which our enemy decides to escape within. Mr Mendes, you were right. The opening scene of Spectre is one to be treasured. 

7. The Walk - The Walk

Although not exactly the greatest film of the year, with the release of Robert Zemeckis' The Walk essentially just being a dramatic re-telling of the superior documentary Man on Wire, one thing the film did have going for it was the exceptional titular sequence in which Philippe Petit crosses the Twin Towers with nothing more than his wit and skill as a wire-walker to keep him alive. As a self-confessed hater of heights as it is, the concluding 30 minute scene of The Walk was a sheer nail-biting collage of vertigo-esque tension, where even though I was fully aware of Petit's incredible success, resulted in an sense of intolerable discomfort in the best way possible, something of which is owed simply to the brilliant way in which Zemeckis' titular act is filmed. Simply breathtaking. 

6. F**K Tha Police - Straight Outta Compton

Some of the best films are those that unexpectedly turn out to be real gems and surpass any expectations they have had before it, and in the case of Straight Outta Compton, F. Gary Gray's real firecracker of a drama based upon the rise of the notorious hip-hop group, N.W.A, what a surprise it was to witness its' brilliantly managed explosive temperament and uncanny portrayals of the genre's most decorated patrons. Within the film's many great scenes is the recording sessions of the group's titular debut album, particularly that of their most notorious single, "F**K Tha Police", recorded after a confrontation with the somewhat backward's handling of the Los Angeles police department whose racial stereotypes present in the early 1990's are made abundantly clear within Straight Outta Compton, yet it's the ferocious response from the group into recording arguably their most famous hit which creates one of the most entertaining scenes of 2015.

5. Showdown With Gordo - The Gift

Written, directed and starring Joel Edgerton, The Gift proved to be a real tense and taut claustrophobic chiller thriller with Edgerton sinking in almost too well into the role of Gordo, the creepy stalker hell bent on making the lives of both Simon and Robyn Callum rather awkward with a selection of creepy get-together's and unwanted hand-delivered gifts. The real winning success of The Gift however is down to the nature in which Edgerton's portrayal of Gordo is one of a rather mixed and ambiguous nature, resorting to feelings of compassion towards someone who is obviously rather troubled at heart. One of the most incredible scenes within The Gift is when we witness the rather fiery Simon confront Gordo at his place of work, yet instead of being on the side of the targeted Simon, the sight of Gordo's sheer embarrassment as his real life is discovered results in a collage of conflicting feelings, something of which has stayed with me ever since the film's release. 

4. Madness Prevails - Macbeth

Transferring the dark, twisted tale of Shakespeare's Macbeth to the big-screen is no easy feat in itself, yet Snowtown director Justin Kurzel manages to embrace the bloody nature of the famous text and turns it into essentially a horror flick with glorious displays of violence, something of which won't exactly be shown to schoolkids examining the play for the sake of education. Of the many great scenes within Kurzel's adaptation is when we witness the titular Macbeth, played majestically by Michael Fassbender, start to go completely bonkers at a royal feast in front of his loving, loyal wife and fellow ruling family and friends where, reeling from the violent slaughter of Banquo by his own hand, Macbeth begins to hallucinate his bleeding, pierced body dining at his feast, resulting in a crazed, frightened Macbeth showing how the power of being King has truly began to corrupt him. It's a wonderful scene and one in which Fassbender's raw and ripe acting talents are once again put on display.

3. Thermal Imagery - Sicario

If Sicario is not the film that finally wins the simply brilliant Roger Deakins an Oscar for his cinematography skills then I am pretty sure nothing will. One of the most talked about shots of the year is the scene in which we witness the spook-like militaristic agents disappear into darkness in search of a drug-trafficking tunnel and it is here where the best scene of the film begins. Switching between complete darkness and thermal imagery, our venture into the pitch black tunnel of horror, all seen through the eyes of unknowing FBI Agent Kate Macer (Emily Blunt), is nail-biting tension in its' most extreme, even more so than the scariest traffic jam ever we witness earlier in the film, yet it is the ambiguous nature of both our heroines nature and what lies for her in the tunnel which makes this particular scene a true gem and definitely the most tense twenty minutes of the entire year. 

2. Goodbye Bing Bong - Inside Out

I love Disney, I'm not afraid to say it, and I love Inside Out even more. Not only is it wholly original and incredibly intelligent but it also features the most heartbreaking cinematic moment of the year by a long shot. After falling into the subconscious and memory dump of Riley's mind, Joy and imaginary friend Bing Bong attempt to escape via that of Bing Bong's homemade rocket ship yet after being originally unsuccessful, Bing Bong sacrifices himself to get Joy safely back to head office, who subsequently disappears into dust, much to the despair of everyone, including myself, who found it hard to hold back the tears, regardless of the extent to which lip biting came into effect. It's a scene as heartbreaking as the death of Mufasa and reinforces Disney's ability to make every human resort to their inner child and weep with sheer sadness. Damn you!

1. A Final Encore - Whiplash

The final ten minutes of Whiplash are among the greatest of cinema within the past decade or so, if not of all time, with the final drum solo combining sheer tension and thrills, resulting in a storming final encore for both Miles Teller's Andrew Neiman and Damien Chazelle's simply brilliant drama surrounding the abusive teachings of Oscar winning supporting actor J.K. Simmons as the terrifying Terrence Fletcher. Although drumming and the entire aspect of drums are as exciting to me as a wet flannel, somehow Whiplash is a film that just is just majestic in its' execution with Tom Cross's editing one of the many reasons for such, and it is here within the final scene where his skills are truly put to the test, resulting in a stunning tour de force of blood, sweat and tears which left me simply breathless. With that in mind, scene of the year belongs to Whiplash, and boy does it deserve it.

Live Oscars 2015 Feed

Live Oscars 2015 Feed

00:21: Here we go then! The 87th Academy Awards is upon us! Here at Black Ribbon we will be doing a live feed of tonight's Oscar ceremony starting from the Red Carpet which is happening right now! 

00:31: I must admit, Margot Robbie is looking pretty damn fine on the Red Carpet tonight. Be sure to see her new film Focus this week! I will be reviewing it at the end of the week! 

00:36: J.K. Simmons is looking pretty bad ass with that hat. Whiplash was probably my favourite of the best picture nominees and he is a dead cert to walk away with the Best Supporting Actor gong.

00:42: Probably my favourite picture of the night so far. The fake baby from American Sniper definitely should be in the Best Actor category instead of Mr. Cooper.

00:46: JENNIFER LAWRENCE UPDATE! Have seen no sign of J-Law or any cones for tripping. 

00:55: Sherlock is here people! 

01:07: Okay. Lady Gaga looks like she has killed someone.

01:10: The love of my life has arrived. Reminding me of how amazing Interstellar was!

01:13: I think these three presenters on Sky should be replaced straight away. Alexa is just annoying. Noel needs to go back to Doctor Who and the other guy should be replaced by Mark Kermode.

01:17: With Pizzas being bought last year, what are the odds Neil Patrick Harris goes one further and orders McDelivery? Still hasn't come down the Plymouth yet...

01:22: Probably the best photo of the night so far. Emma Stone gorgeous as always!

01:28: Umm John, get the hell off Black Widow. She's mine.

01:31: Cool. The Red Carpet is over. TIME FOR BUSINESS PEOPLE.

01:33: Ouch. Slightly racist beginning. But we carry on... Onto a rather comical-yet-slightly spoiler-ridden fashion! And Jack Black. Who always is amazing!

01:37: Apparently this ceremony is only being showed on Sky Movies (Which I thankfully have) which is rather disappointing for 75% of the world who can't afford to pay 70 pounds a month for such a privilege.

01:40: Ethan Hawke was looking like I felt after NPH started with a slightly racist dig. WTF

01:41: Best Supporting Actor is... J.K.SIMMONS!!!

01:43: Fully deserved. Absolutely loved Whiplash and gave it a rare 10/10. Even Miles is smiling like a little puppy. J. Jonah Jameson has stepped up. Although he has used the same joke as he did at the BAFTAS, that joke still rules. Don't worry J.K... I will ring my mum. Maybe not now though, may wake her.

01:54: Break One. Cup of Tea time. Summary so far? Glad J.K Won as it was fully deserved, but the ceremony itself has been a bit underwhelming with NPH looking a tad nervous with jokes (particularly the racist one) failing flat !

01:57: NPH seemingly looks at the audience for acceptance whenever he tells a joke. Not good. Hey its' Captain Kirk!

01:58: Best Costume Design is... THE GRAND BUDAPEST HOTEL

02:00: WOWOWOW A REESE WITHERSPOON JOKE ABOUT A SPOON

02:01: Achievement in Makeup and Hair styling goes to... THE GRAND BUDAPEST HOTEL

02:05: So, The Grand Budapest Hotel is doing well. Probably is my favourite Wes Anderson film to date so well done! In other news, NPH has failed to solidify himself as host.

02:07: Here is my man J.K. Simmons. Fully deserved to win.

02:09: Blimey... Get the name right. Do not do a John Travolta NPH. That has been done already.

02:10: Best Foreign Language Film is... IDA

02:12: I love it that the music has not put this guy off. Fair play. Keep on going son... Take over from NPH while you are at it!

02:14: Nice trio of films there. Boyhood, The Theory of Everything and Birdman are all pretty damn good. Best out of the three? Boyhood. Which should win best picture.

02:18: EVERYTHING IS AWESOME

02:23: Sit rep. Hot Ribena has been replenished and the bakewell tarts have been consumed. Sugar levels need to be leveled even higher if I am to continue! Come on NPH. Wake me up...

02:25: Best Live Action Short Film is... THE PHONECALL

02:28: Blimey they are really getting everyone off quick this year. That poor guy only had about 30 seconds to speak about doughnuts! Anyway Best Documentary Short goes to... CRISIS HOTLINE: VETERANS PRESS 1

02:34: Oh Emma Stone you look lovely.

02:38: Another break time! This is worse than the Superbowl!

02:41: Best Supporting Actress is coming up! I think I picked Rosamund Pike but I think Ms. Arquette will have this one.

02:42: But first Best Sound which should go to Whiplash. And it goes to... Hold up we have NPH naked, Miles Teller and the gorgeous Margot Robbie first.

02:46: Best Sound Mixing goes to... WHIPLASH

02:49: Best Sound Editing goes to... AMERICAN SNIPER

02:50: Blimey, Sienna Miller looked gorgeous then. But she had Captain America next to her so that's her gone. Glad Whiplash has won another! Should win for Editing too!

02:52: Best Supporting Actress goes to... PATRICIA ARQUETTE

02:55: Emma Stone holding that LEGO Oscar was rather cute though... She should have won it just for that! And look at Ed Norton. He killed Lucy Beale.



03:00 Into the first three hours of the day. And we have Rita Ora. Eugh... In good news Best Animated Feature is soon! Which surely features the most shocking oversight of this years' ceremony with The Lego Movie not being there.

03:03: Best Visual Effects time surely must be Interstellar. Absolutely beautiful. This decades 2001: A Space Odyssey. 

03:04: Best Visual Effects... INTERSTELLAR

03:05: I really do not understand why Interstellar hasn't had the love that previous Nolan efforts have had. I thought it was brilliant and on par with Inception and The Dark Knight. 

03:08: Anyway... Best Animated Short - Feast

03:10: Yes... THE ROCK

03:10: Best Animated Feature Film is... THE LEGO MOVIE

03:11: Jokes... It's Big Hero 6

03:16: I agree with the Sky panel. NPH hasn't been on form tonight i'm afraid. Bit awkward and not on par with Ellen from last year.

03:18: Ahh it is the Dick Poop culprit! I love this woman.

03:21: Best Production Design goes to... THE GRAND BUDAPEST HOTEL

03:23: Blimey, Wes and his hotel are doing incredibly well tonight! Are on course for taking home the most awards this year!

03:24: Sass personified. Idris Elba and Jessica Chastain! Both brilliant people! And awarding Best Cinematographer.

03:25: Best Cinematography... BIRDMAN

03:26: Hmm. I wouldn't say the one-take-cinematography was as ground-breaking as everyone says it is in Birdman, particularly when it was done years before in Hitchcock's Rope, but it is still a great film.

03:34: Sass.

03:40: And break time. When normal service resumes I assume it's time to get down to the nitty-gritty side of this year's awards. Let's do this.

03:43: Time for Whiplash to win another award!

03:43: Best Editing goes to... WHIPLASH

03:46: Time to give some love to Whiplash. It is simply brilliant. Sorry if I keep going on about it but if you haven't seen it, watch it. Now.

03:50: Best Documentary Feature goes to... CITIZENFOUR

03:51: I'm ashamed to say I haven't seen Citizenfour yet! For all you UK viewers however, it is on Channel Four sometime this week! Sorry I'm a bit vague!

04:00: I do love a bit of John Legend. Especially that song he did for Django Unchained a couple of years back. Not too fond of this song for Selma though.

04:01: Here is Jared Leto. With a brolly.



04:03: Bring on the tears! Even Chris Pine! AND A GOOD JOKE FROM NPH!!!

04:05: And the joke of John Travolta is over...

04:06: Best Original Song goes to... GLORY FROM SELMA

04:09: Very good speech from Mr. Legend and Common there. Best one so far... And it's going to be followed by Lady Gaga. Kill me now.

04:15: Boooooooooooooooooooo.... Get Muse on instead. Actually, it's not too bad. At least it has woken me up slightly. Time for Julie Andrews to out-sing Lady Gaga ten-fold. Go on. Do it.

04:22: Best Original Score goes to... THE GRAND BUDAPEST HOTEL

04:24: Wow. Wes is doing really well tonight. Might have to get around to seeing Moonrise Kingdom sooner than later.

04:28: Julie Andrews is 79. 79 people.



04:29: Time for one of the most tightly-fought categories so far. Best Original Screenplay.

04:30: Best Original Screenplay goes to... BIRDMAN

04:33: Oprah Time...

04:34: Best Adapted Screenplay goes to... THE IMITATION GAME

04:35: I'm glad The Imitation Game won something. Was a brilliant film with a beautiful central performance from Mr. Cumberbatch. It's a shame he won't win Best Actor...

04:41: Big hitters time!

04:42: Best Director goes to... BIRDMAN (Alejandro González Iñárritu) 

04:44: Really thought it was going to go to Linklater for Boyhood. Can only mean Boyhood will get Best Picture instead. 

04:48: The lovely Cate Blanchett is announcing Best Actor! Good times. 

04:49: Best Actor goes to... EDDIE REDMAYNE (OR REDMAYBE)

04:52: I think Eddie is a bit excited! Bless him! Well deserved.

04:53: Nice beard Matt...

04:54: Best Actress goes to... JULIANNE MOORE (STILL ALICE)

04:57: Cannot judge as Still Alice is yet to come out in the UK! Out next week in cinemas.

05:00: It's the big one! Best Picture time. Should be Boyhood. Might be Birdman. AHAHAHA.

05:01: Best Picture goes to... I WANT TO KNOW NPH!!!

05:03: Best Picture goes to... BIRDMAN

05:07: All in all, a pretty predictable Oscar ceremony with a rather awkward host in the form of Neil Patrick Harris. I'm glad Whiplash won a few awards but it was really Birdman and The Grand Budapest Hotel who did the best tonight. See you all next year...

87th Academy Awards: Best Picture

Oscars 2015: Best Picture

It's Award Season! Grab the coffee, get the red bull and ready the doughnuts, the annual celebrity get-together is within touching distance, and i'm rather excited. Last year's ceremony was rather splendid,  with Ellen DeGeneres keeping all of the Hollywood egos in check, supported by a wonderful raft of movies to celebrate and John Travolta introducing Adele Dazeem. This year promises to be another spectacular affair, with Neil Patrick Harris hosting and a wonderful array of films to spur on during this particular race. Within this blog I will be focusing on this year's nominations, selecting the favourite in each category, along with my personal choices and nominations that may have been overlooked. So sit down, relax, and enjoy the ride...

Best Picture

Starting off this particular blog is, ironically, where the ceremony ends; the Best Picture category, which this year includes some real gems. In terms of bookies favourite, Richard Linklater's Boyhood seems to be winning this particular race and it's hard to not understand why, with it's quite remarkable telling of one child's experience growing up over the course of 12 real-life years. It's emotional. It's brilliantly acted. What more do you want? In terms of my own personal choice, Whiplash is the film that surprised me the most out of all the nominees, with it gripping me throughout, helped particularly by a striking performance from J.K. Simmons. In regards to overlooked films, I believe Under the Skin, Calvary, and even Guardians of the Galaxy, all should have been under consideration. Instead we have these:

American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
Selma
The Imitation Game
The Theory of Everything
Whiplash

Next... Best Actor

Film Review: Whiplash

The Sound of Drums

As an avid guitar player, I vividly remember watching the amazing Steve Vai battle against Ralph Macchio during the simply superb guitar duel at the end of the 1986' film, Crossroads (No, not the Britney Spears film). Soon after watching it, I was amazed to find out that Macchio was not entirely playing the guitar during the film and instead, the music was performed by Ry Cooder, yet to me, the performance by Macchio was really happening in front of me. Aside from the guitar duel, Crossroads was pretty pants, yet the knowledge that Macchio must have had intense training regarding where to place his fingers on the fret-board, when to strum, and when to make Vai-like facial expressions still amazes me to this day. After watching Whiplash, I felt, and still feel, the exact sense of sheer wonder I did the first time I saw that guitar duel, yet unlike Crossroads, Whiplash isn't pants. In fact, it's pretty much perfect.  

The plot of the film focuses on Andre Neiman, played by Miles Teller. a 19 year-old jazz drummer, who is taken under the wing of notorious teacher Terrence Fletcher, at renowned music school, Shaffer Conservatory, in order to fulfill his dreams of becoming a legend in musical history. Much like Macchio in Crossroads, Teller is flawless in attempting to present realistic and uncanny musical performances throughout the film, and even goes one better by perfectly portraying a character who literally combines blood, sweat and tears with total dedication into his musical ability. Following him all the way is J.K. Simmons', who surely must regard this as a career best performance, with his portrayal of Fletcher characterised by one moment, being undeniably cool and calm, and then suddenly morphing into this all-swearing, larger than life, musical monster who takes no prisoners, accepts no excuses, and will literally throw chairs at you for being slightly out of time with the rest of his band. 

Aside from the two actors, another winner in this film is surely Tom Cross, whose editing within the film allows Teller's performance to propel into greatness, and it is good to see that he has been recognised by the BAFTA's for such outstanding work which surely means an Oscar nomination is set to land at his feet. Good job. Obviously the soundtrack is brilliant, with it already being on my wish-list, but what truly exceeds in this film is it's hard-hitting nature in its' attempt to show characters whose lives are not only engulfed by their passion and love for the music, but will do almost anything to keep that feeling flowing, evidenced during the very last performance within the film in which both Teller and Fletcher give a performance worthy of endless applause and shouts for just one more. 

Overall, Whiplash is a brilliant piece of cinema, packed full with spot-on performances, not only from the actors, but by editor, Tom Cross, a brilliant soundtrack, and a sense of wonder which gripped me from start to finish. Can I have an encore? 

Overall Score: 10/10