Showing posts with label cinema. Show all posts
Showing posts with label cinema. Show all posts

Wednesday, 16 December 2015

Black Ribbon's Best Film Scenes of 2015

Best Film Scenes of 2015


Within every great movie is a scene of equal greatness, whether it be a memorable moment of character progression, a tear-jerking loss of a key character, or even something as trivial as a note of music that pulls at the heartstrings in a way that affects a particular viewer. Throughout 2015 there have been a vast amount of particular movie moments where the magic really kicks in, scenes in which have left a long-lasting impression within my mind and have resulted in either making the film a better picture or just a fantastic scene on its' own ground albeit being in a overly mediocre movie. Within this list is Black Ribbon's top ten most memorable scenes of 2015, starting promptly with...

10. A Meeting With Macha - Song of the Sea


Song of the Sea is many things. Beautiful. Awe-inspiring. Genuinely tear-inducing. Yet one of the things I didn't expect from Tomm Moore's animated masterpiece is the scene in which our beloved heroes come across the legendary owl-witch known as the Macha, whereby we witness the darker side of the Irish folklore in which Song of the Sea is based upon. Although most of Song of the Sea is undeniably child-friendly, the introduction to the insidious Macha was genuinely startling, resulting in a hallucinatory dream-scape of evil owls and creepy Irish folklore legends.  

9. Confrontation With Jobs - Steve Jobs


Although Steve Jobs is directed by the fine hand of Danny Boyle, it undoubtedly belongs to the craftsman of screenplays himself, Aaron Sorkin, with its' three-act structure being an effective stage for which Sorkin is allowed to play upon. Of the many wordy dialogues within the film, the scene in which Jobs is confronted by John Sculley within the second act of the film is the one that stands out the furthest, with Sorkin's brilliant script being fully embraced by the acting duo of both Fassbender and Daniels whilst being offset with flashbacks of the past, all of which results in a heavy sense of escalating drama that gives credence to the simply unfair talent that Sorkin has unleashed upon directors such as Boyle and David Fincher, both of whom have enjoyed undeniable success because of such in Steve Jobs and The Social Network respectively.

8. Day of the Dead - Spectre


Before Spectre was even released, director Sam Mendes made sure that his latest entry into the Bond canon was set to have one of the most epic opening scenes in the film's 53 year history, with the famous Day of the Dead in Mexico City being the backdrop for the return of everyone's favourite English super-spy. Beginning with a seemingly one-take shot following Bond through the streets of Mexico City and onto the rooftops above, Spectre's opening scene definitely ramps up the thrills and skills, with Bond mercifully tracking down and defeating a high-ranking agent of SPECTRE all-the-while attempting to keep the poor innocents of Mexico City with their lives intact from the rogue helicopter in which our enemy decides to escape within. Mr Mendes, you were right. The opening scene of Spectre is one to be treasured. 

7. The Walk - The Walk


Although not exactly the greatest film of the year, with the release of Robert Zemeckis' The Walk essentially just being a dramatic re-telling of the superior documentary Man on Wire, one thing the film did have going for it was the exceptional titular sequence in which Philippe Petit crosses the Twin Towers with nothing more than his wit and skill as a wire-walker to keep him alive. As a self-confessed hater of heights as it is, the concluding 30 minute scene of The Walk was a sheer nail-biting collage of vertigo-esque tension, where even though I was fully aware of Petit's incredible success, resulted in an sense of intolerable discomfort in the best way possible, something of which is owed simply to the brilliant way in which Zemeckis' titular act is filmed. Simply breathtaking. 

6. F**K Tha Police - Straight Outta Compton


Some of the best films are those that unexpectedly turn out to be real gems and surpass any expectations they have had before it, and in the case of Straight Outta Compton, F. Gary Gray's real firecracker of a drama based upon the rise of the notorious hip-hop group, N.W.A, what a surprise it was to witness its' brilliantly managed explosive temperament and uncanny portrayals of the genre's most decorated patrons. Within the film's many great scenes is the recording sessions of the group's titular debut album, particularly that of their most notorious single, "F**K Tha Police", recorded after a confrontation with the somewhat backward's handling of the Los Angeles police department whose racial stereotypes present in the early 1990's are made abundantly clear within Straight Outta Compton, yet it's the ferocious response from the group into recording arguably their most famous hit which creates one of the most entertaining scenes of 2015.

5. Showdown With Gordo - The Gift


Written, directed and starring Joel Edgerton, The Gift proved to be a real tense and taut claustrophobic chiller thriller with Edgerton sinking in almost too well into the role of Gordo, the creepy stalker hell bent on making the lives of both Simon and Robyn Callum rather awkward with a selection of creepy get-together's and unwanted hand-delivered gifts. The real winning success of The Gift however is down to the nature in which Edgerton's portrayal of Gordo is one of a rather mixed and ambiguous nature, resorting to feelings of compassion towards someone who is obviously rather troubled at heart. One of the most incredible scenes within The Gift is when we witness the rather fiery Simon confront Gordo at his place of work, yet instead of being on the side of the targeted Simon, the sight of Gordo's sheer embarrassment as his real life is discovered results in a collage of conflicting feelings, something of which has stayed with me ever since the film's release. 

4. Madness Prevails - Macbeth


Transferring the dark, twisted tale of Shakespeare's Macbeth to the big-screen is no easy feat in itself, yet Snowtown director Justin Kurzel manages to embrace the bloody nature of the famous text and turns it into essentially a horror flick with glorious displays of violence, something of which won't exactly be shown to schoolkids examining the play for the sake of education. Of the many great scenes within Kurzel's adaptation is when we witness the titular Macbeth, played majestically by Michael Fassbender, start to go completely bonkers at a royal feast in front of his loving, loyal wife and fellow ruling family and friends where, reeling from the violent slaughter of Banquo by his own hand, Macbeth begins to hallucinate his bleeding, pierced body dining at his feast, resulting in a crazed, frightened Macbeth showing how the power of being King has truly began to corrupt him. It's a wonderful scene and one in which Fassbender's raw and ripe acting talents are once again put on display.

3. Thermal Imagery - Sicario


If Sicario is not the film that finally wins the simply brilliant Roger Deakins an Oscar for his cinematography skills then I am pretty sure nothing will. One of the most talked about shots of the year is the scene in which we witness the spook-like militaristic agents disappear into darkness in search of a drug-trafficking tunnel and it is here where the best scene of the film begins. Switching between complete darkness and thermal imagery, our venture into the pitch black tunnel of horror, all seen through the eyes of unknowing FBI Agent Kate Macer (Emily Blunt), is nail-biting tension in its' most extreme, even more so than the scariest traffic jam ever we witness earlier in the film, yet it is the ambiguous nature of both our heroines nature and what lies for her in the tunnel which makes this particular scene a true gem and definitely the most tense twenty minutes of the entire year. 

2. Goodbye Bing Bong - Inside Out


I love Disney, I'm not afraid to say it, and I love Inside Out even more. Not only is it wholly original and incredibly intelligent but it also features the most heartbreaking cinematic moment of the year by a long shot. After falling into the subconscious and memory dump of Riley's mind, Joy and imaginary friend Bing Bong attempt to escape via that of Bing Bong's homemade rocket ship yet after being originally unsuccessful, Bing Bong sacrifices himself to get Joy safely back to head office, who subsequently disappears into dust, much to the despair of everyone, including myself, who found it hard to hold back the tears, regardless of the extent to which lip biting came into effect. It's a scene as heartbreaking as the death of Mufasa and reinforces Disney's ability to make every human resort to their inner child and weep with sheer sadness. Damn you!

1. A Final Encore - Whiplash


The final ten minutes of Whiplash are among the greatest of cinema within the past decade or so, if not of all time, with the final drum solo combining sheer tension and thrills, resulting in a storming final encore for both Miles Teller's Andrew Neiman and Damien Chazelle's simply brilliant drama surrounding the abusive teachings of Oscar winning supporting actor J.K. Simmons as the terrifying Terrence Fletcher. Although drumming and the entire aspect of drums are as exciting to me as a wet flannel, somehow Whiplash is a film that just is just majestic in its' execution with Tom Cross's editing one of the many reasons for such, and it is here within the final scene where his skills are truly put to the test, resulting in a stunning tour de force of blood, sweat and tears which left me simply breathless. With that in mind, scene of the year belongs to Whiplash, and boy does it deserve it.

Thursday, 11 April 2013

Oblivion Movie Review! -TINY SPOILERS-

Opening earlier today, I rushed to to local Vue cinema to watch this badass film on their Xtreme screen! There are small spoilers in this review.

In the opening of Oblivion, we are given snap shots of a memory from Jack Harper (Tom Cruise), skipping throughout the huge landscapes pan shots. The CGI never looked out of place and looked exceptionally real when you are moving at pace. Robots and other set pieces look brilliant and lifelike even when they are manipulated by CGI for certain scenes. Then you have the set locations, these contrast between new and old, from a library to a lavish, modern house of the top of a huge tower.

To the action! At the start of the film, there is very little action and that continues most of the way through. Oblivion feels more of a Sci-fi thriller but for a 12A audience which restricts the amount of violence we could have seen if it was for an older audience, but it does have many twists and turns that catch you off guard and force you to piece the puzzle together on your way home.

The director; Joseph Kosinski, who also directed Tron Legacy, shows his stunning camera techniques and framing ability. Alongside the rest of his talent, directing a combat scene with no dialogue (or screaming) between the characters, just the whirling of gears, the pumping of machine guns and thrusters with music that fills you tension. In one of the beginning scenes we are located in a demolished American football stadium, a shot looks up at Harper with his arms raised in celebration
as a crooked goal post fills the background to draw your attention onto Jack. I would like to say that the writer of this did a brilliant job, with the plot twists, the character development of Harper and much more, but what the hell is with the sex scene in that freaky ass pool!? One, it was super weird. Two, you won't see me jumping into a pool hundred of feet in the air supported by a couple of beams in a world which was destroyed by nuclear fallout (It's not a spoiler, it says it right at the start of the film).

The official soundtrack was created by M83, who sounds remarkably like Daft Punk's Tron soundtrack. Whoever he is, M83 does brilliantly to create drama, raise tensions and get you pumped throughout action scenes. Sounds are crisp and truly reflect the area they are in and all the sounds are crisp and clear, especially in the huge ass screen with the big ass speakers!

Finally, the acting. It was alright. Not exceptional that you felt for all the characters. Tom Cruise and Morgan Freeman's acting was the best out of the small cast with Olga Kurylenko felt a little flat and occasionally a bit dramatic. Andrea Riseborough was a character simply crazy and was much the same as Olga in certain scenes. All of the extra cast members were alright but they lacked a script and blended into the background when they could have had a much deeper connection to the outcome.

Overall, this Sci-fi - thriller is a good watch with some brilliant filming, good acting and epic music, this film is worth a watch.

My rating for this shall be 7.5/10