Tuesday, 3 January 2017

Film Review: A Monster Calls

"Who Is To Say That It Is Not Everything Else That Is The Dream...?"


Opening against the likes of Scorsese and Assassin's Creed, A Monster Calls, the latest from impressive director J. A. Bayona, ultimately offers more of family-friendly adventure then perhaps others on show at the start of 2017, a family-friendly adventure boasting a CGI'd Liam Neeson-shaped tree, one which bears a striking resemblance to the Ents from The Lord of the Rings, who forms part of an impressive cast featuring the likes of Rogue One's Felicity Jones and cult favourite, Sigourney Weaver. With Bayona's career beginning in a solidly admirable manner with his directorial craft stamped on both the Guillermo Del Toro produced horror The Orphanage and the disaster drama The Impossible, A Monster Calls is a melancholic and poignant tale of one boy's capacity to cope with the horrors which wait for him in the future, featuring a superb performance from young Lewis MacDougall and a screenplay which admirably attempts to be something much more mature and complex than your average fantasy romp.


If being based solely from the trailers, it would be obvious to assume that A Monster Calls primarily shouts out to the younger viewers out there, and whilst an element of fantasy is ripe throughout the movie, the true nature of A Monster Calls is so much more understated than one might expect, particularly with a gigantic digital tree at the heart of the film, with Bayona taking full effect of Patrick Ness's adapted screenplay of his own novel in creating a film which will strangely appeal more to an adult audience than one might expect. Furthermore, the ominous and ambiguous nature of The Orphanage is relevant once again, with Bayona choosing to use the sensual appeal of silence to follow our hero to full effect and only using background music when absolutely necessary, creating that eerie atmosphere present within the director's earlier works. What we have with A Monster Calls therefore is the creepy, cold nature of The Orphanage mixed together with the tough examination of humanity from The Impossible. Does it work? Yes, and although there are moments of slight wanderings, A Monster Calls is a poignant and overtly eye-watering success, only continuing the reputation of director Bayona many-fold. 

Overall Score: 7/10

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